In this paper, I assess Žižek ’s article “No Sex, Please, We’re Post-human!” as a provocative injunction to signal the posthuman ecstasy and deterrence. I seek to expose, rather than express, Žižek ’s posthumanist perspective as a paradoxical intertwining of different aspects of perspectivizing a post-human being from the view of the end of sexuality – the background that informs a posthuman future. Žižek ’s eluding the subject’s confrontation with the question of sexual difference to the apex of the genome (...) project touches the delicate coalescing of the notions of ‘objectivity and subjectivity’ and ‘virtuality and reality’ in the fate of the body. Ultimately, he renders this inception of this tarrying as a traumatic encounter that informs us of the existential birthright of a true posthuman. (shrink)

This paper presents the ethical nihilism that looms in the condition of sex in the posthuman. It takes over from the backdrop of Hauskeller’s description of the singularity as having a “glorious sex life.” While such a condition is heavily leaning towards hedonistic ethics, the paper critiques that it merely masks nihilistic ethics. The pleasurable picture of ‘happy rapists’ and ‘masturbatory sex’ in posthumanity with sexual affluence faces a disturbing nothingness that caters to the extreme possibility of being sexless. Following (...) from Žižek’s exposition of Houellebecq’s novel The Elementary Particles, which runs counter to Houellebecq’s later novel The Possibility of an Island, the posthuman poses paradoxes that point to a nihilistic ethical domain. Later, the paper presents two paradoxes: First, the paradox of hedonism or happiness, and second, the paradox of wealth or nothingness. (shrink)

This chapter delves into the museological side of ‘the way forward’ to conservation for planetary health bioethics. Specifically, it highlights the crucial role that museums play – their curatorial or exhibition interventions, conservation operations, development policies, or practices – which present or represent the vital relationship between human and planetary health. While it is not new to stress the significance of museums’ link to the environment and environmental education, it is necessary to re-examine recent cases in light of the rapid (...) changes brought about by climate change and the constant call for sustainability. We thus offer a review of some recent literature that appraises the museum’s role in bioethically considering the health of our living planet. Learning this role taps into relatively new themes such as ecomuseums and architectural heritage, or critical eco-museology. (shrink)

An inquiry into the bioethical or ethical component of post-humanism can be through the question of sex. Following from Manoj’s idea of a cyborg as having a “sexless” possibility, this paper presents other arguments that advance the possibility of asexuality in the posthuman. First, I begin with a discussion of Žižek’s point concerning the cessation or voiding of sexual difference. Second, I will continue such an argument through the selfreplicating possibilities of cloning and full cyberspace immersion, the later as prototyped (...) by Pokémon. And finally, there seems to be an inevitable thread that begs to link the concept of the posthuman to Nietzsche; so I will explore some of the arguments that include or exclude Nietzschean ethics in this prospect. (shrink)

In this paper, I critique the prevalent notion that only in the abyss can one emerge to be the Übermensch, or to use Hollingdale’s term, the Superman. To support this, I will first expound on the notion of the abyss as ethical nihilism from the perspective of the death of God to Nietzsche’s critique of morality. I argue that ethical nihilism as an abyss is insufficient in constituting Nietzsche’s Superman. I will then set how the Superman emerges through counter-stages. The (...) paradox is that such tragic an abyss that serves as conditio sine qua non for the Superman falls flat when looked at in the perspective of life. There underlies a fundamental difficulty in simply accepting the proposals of acknowledging the abyss or ‘becoming what one is.’ Later, Nietzsche’s anti-romanticism and anti-Darwinism are explored to support such difficulty. (shrink)

There is a wide spectrum in reading Michael Ondaatje’s novel Anil’s Ghost, ranging from thinkers who explore literary, historical, to ethico-ontological and political aspects. I confine the study by strictly retrieving the subjectivity of the human rights victim as not rested in its being a subject and victim, hence as a specter that haunts or ‘retaliates’ into exposing its victimization. This article attempts to read the spectral nature of this victim using Derrida and Žižek. The Derridean reading grounds the central (...) spectrality on his hauntology and what it says about the victim’s ghostly character. Later, I expound on the act of haunting from a Žižekean standpoint by hinging on the notion of ‘drive’ that exposes the nature of victimization as depoliticizing the subject. (shrink)

The Übermensch, the overcoming of man, is one of Nietzsche’s debated concepts to be situated in posthumanism. In Žižek’s posthumanism, the human as subject can not only be read in Nietzsche’s understanding of the last man, but is inherently tied to the concept of trauma. This is so that trauma, as I exposed before, is a crucial element in advancing a posthuman. This article argues that trauma is, tout court, not enough to realize a posthuman Übermensch. It faces paradoxes that (...) render it a transitory jolt. First, trauma still relies on the fiction of an afterworld. Second, trauma can be further traumatized and that there is a transitoriness of choice that belies its function between dream and fiction. Later, following from the traumatic standpoint of the Real, I provide a clarificatory corollary why the posthuman project also cannot work as a Lacanian fantasy. (shrink)